Tag: diversity

Since this is a press dedicated to focusing on inclusion of various abilities, it is important to look at books already out in the market. For this review, I examine eight books with a character in a wheelchair. Some of this feedback is based on my own personal experience as someone in a wheelchair, and the other is focused on the story and publishing aspects of these books.

A Very Special Critter (Look-Look) by Mercer Mayer (1993) 4/5 stars.

A Very Special Critter book coverAside from the title really bothering me and not having anything to do with the story, I liked it. But in the beginning, dad gives advice, which wasn’t the best solution. It would have been better if the main character, who said he’d never met anyone in a wheelchair before, came to the conclusion himself that the new critter wasn’t any different than him. Instead, the dad says on page 5: “’Just because he’s in a wheelchair, doesn’t mean he’s any different than the rest of you. He probably just needs some special help once in awhile.’ I thought that made sense.” Other than that, I liked the perspective angle of another student interacting with the character in the wheelchair, even though he’s the main story, he’s not the main character. I think this shift in storytelling from an able-bodied kid works and it really felt like a kid was experiencing first time interacting with someone in a wheelchair.

Arnie and the New Kid (Arnie) by Nancy Carlson (1992) 2/5 stars.

Arnie and the New Kid book coverThe feel of this story felt boring and sad. Really, it was more about the ability status and not the relationship/friendship aspect, and read like a lesson rather than a story for kids. The thing that bothered me the most was that someone can only be friends/understand someone in a wheelchair, only if you experience the same issues as the person in a wheelchair, and only include them after they know what it’s like being in a wheelchair. I prefer A Very Special Critter by Mayer over this one any day. This was so 90’s attitude of showing the interactions/world perspective of inclusion.

Mama Zooms by Jane Cowen-Fletcher (1995) 5/5 stars.

Mama Zooms book coverThis was so fun and sweet and exciting to read. It was filled with fun stories that made me smile and inspire me to play with a kid. And the ending/overall message was super adorable! I’d probably get this for my kid when the time comes and then we’d create our own Mama zooms story. This is a cute family bonding time of a book.

Dad Has a Wheelchair by Ken Jasch (2014) 5/5 stars.

Dad has a Wheelchair book coverTold from a kid perspective and has an educational aspect to it, since it is ASL themed, but in a sweet way from the daughter’s eyes. It goes on to share all the things she does with her dad with rhymes that are cute. Definitely a family creation. I do like the disability aspect and not pushing it away but rather having the kid talk about it in her own way and how she loves the dad bond more than anything. This was just a sweet aspect of goodness.

Zoom! By Robert Munsch (2004) 3/5 stars.

Zoom! book coverThis was a bit too passive for me and the mom seemed to do all of the action and leading the story forward, it would have been so much funner if the main character did all the action like, sorta  in Goldilocks. For example, on page 10: Then Lauretta’s mother said, “Well, how about this? Look at this! A nice new 15-speed wheelchair. It’s fantastic. It’s purple, green, yellow. It costs lots and lots of money.” Even though the text was super weak, the illustrations are the best and made the book hilarious. I liked the concept because it is pretty relatable. The brother bothered me and just thrown in there for something to happen. The ending was not that satisfying and not fully developed; the main character should have led the story.

A Rainbow Of Friends by P.K. Hallinan (2005) 4/5 stars.

A Rainbow of Friends book coverI really enjoyed this book and it had a fun rhyme book feel to it with a sweet story element to it with great inclusion aspects and diversity in friends that didn’t feel forced. My favorite part was the theme of friendship and illustrations that showed a great lesson of being a friend to anyone.



Don’t Call Me Special: A First Look at Disability by Pat Thomas (2002) 2/5 stars.

Don't Call Me Special book coverThe idea behind this is great, but the execution was too adult-driven. Definitely not a story; more like an educated blog post in a book. For example: “When you assume, you are just making a guess. Assuming things about people can hurt their feelings and make them feel very left out.” I really don’t see a kid wanting to pick this book up and interact with it. It’s great the book talks about being different and unique in your own way & explaining how to think/understand things. Like in this example: “Years ago, children with disabilities went to special schools with special teachers. Because of this people started calling them special.” But this feels like an adult jumping around talking about different things without a linear theme that connects all the pages together. A Rainbow of Friends by Hallinan has the same idea and is more exciting & fun to read.

Look Up! by Jung Jin-Ho, Kim My Hyun (Translator) (2016) 3/5 stars.

Look Up! book coverThis was an interesting concept, but it sort of felt flat to me when it could have been a really powerful book with a stronger ending, but still, glad it’s out there and plays with different perspectives. Also, the journey of showing and not showing the main character and even her wheelchair was problematic to me and didn’t make this story memorable at all. But I liked the high and low illustrations to show interactions of the world with the main character.

If you want to check out the review videos on Youtube, here are the links: INCLUDAS Review #1 | Picture Books with Characters in Wheelchairs #bookreview and INCLUDAS Review #2 | Picture Books with Characters in Wheelchairs.
You can view all reviews on this Goodreads page. Let me know your thoughts and other book suggestions! If you’d like to review one of INCLUDAS’s books, email marketing [at] includas.com and we’ll send you a free copy!
Hello! Luda here! Thanks for stopping by! 🙂 Want to know more about INCLUDAS Publishing and why it was started? Well, growing up and even now, I rarely saw anyone in a wheelchair (or muscular dystrophy) play a positive role (or any role for that matter) in a movie, t.v. show, or book. I’d always wanted to pursue acting as a teen–it seemed fun to play other characters; it was my escape from the harsh realities of living with a disability in this world–but no one cared about the girl in the chair. No one listened or saw me as a person. Doors shut in my face even when I was more than qualified and a perfect fit for something. All because of my wheelchair.
Well, now I have the control to do what I want–to open my own doors. To spread the magic of diversity and inclusion; to exude the stories and characters I want to play. There is something crazy about the entertainment industry and how it’s so fabricated into reality even though so much of it is fiction. Have you ever thought of what life would be like without books, movies, songs, or plays? Would anything exist? We seem to live and breath for the entertainment industry, fueling it and having it fuel us. Such power.
So, I am going to fuel the world in my own way, the way I want to do it, and won’t let anyone shut the door in my face ever again.

In Summary:

INCLUDAS Publishing aims to bring inclusiveness and diversity into the book world by serving authors and illustrators, and fictional characters with disabilities–from children’s books to romance novels to mystery stories. The books and authors/illustrators with disabilities create a feeling of inclusion for everyone through the art of stories, power of images, and movement of design. This is not just a press that prints books, this is a press of forward thinking—books are art and can be designed upside-down, with multi-layered paper textures, or with braille embossing—it is all about the adaptability of design, while putting inclusion first.

But also:

The innovation of book reading is the second aspect—whether focused on physical, emotional, or mental engagement—different elements will be introduced, from tactile braille graphics to accessible interactive ebooks. This will allow readers to have the experience on various levels. Even if a child is not blind, braille can become a norm to start introducing inclusion into a family’s home. Additionally, focus on creating diverse ways of crafting inclusion and accessibility in how a reader interacts with a book, whether through touch, sight, sound, or shapes and colors, will matter.
The goal is to create a culture for change and seed inspiration of creativity for other people with disabilities, to build stories of themselves and not be lead by media’s narratives, which is run by able-bodied people. To use art of stories as change for social justice.

If you’re still not convinced INCLUDAS Publishing should exist:

The representation of people with disabilities throughout history and media, as well as society: helpless, worthless, sick—having a disability is a bad thing because it dehumanizes a person. In a nation that identifies one in every five people as having a disability, things need to change. “CinemAbility” is a documentary that shows how people with disabilities were portrayed in the history of film: used for comedic purposes, newly injured folks as angry, and helpless without care givers; any happy moments went to when someone walked. The “Me Before You” book shares a message that it is better to die than to live, because someone who is quadriplegic would be too much of a burden for anyone.
Because I use a wheelchair to live in this world, I get ignored, silenced, forgotten. Everyone is always trying to fix me—making me better so I’d add value to this society and be happy. What kind of world do I live in? A segregated one; an unfair one. Diversity in stories is less than 10%, according to “Where Is the Diversity in Publishing? The 2015 Diversity Baseline Survey Results,” and disability inclusion in publishing is practically not existent. The impact, or more importantly, the need for the right inclusion is now, which is why this press is important for everyone—from stories to staff to technology. Disability should not be portrayed as something to hide, but something to be engaged in; not something to fear, but something to adapt to.

In the end:

Images and stories cater to perception, as well as thinking. So when the media and entertainment industry produces the same dehumanizing views on people with disabilities, those perceptions become realities and put an umbrella of invisibility on people with disabilities. Others that try to show positive images of people with disabilities do it in one medium, or from some medical perspective to ease the fear of “disables” for the able-bodied population. People learn through communication, and the messages coded in words is what shapes reality. So if there are no stories, there are no realities. If there is no inclusion, there is no change. If there is no access, there is no opportunity.
And this is why INCLUDAS Publishing was born. To open doors for those who have been treated unfairly.